01/2025 Kraków
Numer wyjątkowy, bo w wyjątkowym towarzystwie współautorów.
Marcin Wicha, autor, którego regularnie czytam i który inspiruje mnie od lat.
Zaszczyt i jednocześnie niedowierzanie, że już go z nami nie ma...
|Very special issue, special because it features an exceptional list of co-authors.
Marcin Wicha, an author whom I read regularly and who has inspired me for years.
An honor and at the same time disbelief that he is no longer with us.... /


Numer wyjątkowy, bo w wyjątkowym towarzystwie współautorów.
Marcin Wicha, autor, którego regularnie czytam i który inspiruje mnie od lat.
Zaszczyt i jednocześnie niedowierzanie, że już go z nami nie ma...
|Very special issue, special because it features an exceptional list of co-authors.
Marcin Wicha, an author whom I read regularly and who has inspired me for years.
An honor and at the same time disbelief that he is no longer with us.... /
10/2024 Wrocław

Interior of the Sagenhalle (Fairy Tale Hall), Szklarska Poręba, circa 1920, source: polska.org.
10/2024 Paris

Mirna Bamieh. Sour Things_ The Pantry. ‘Imagine Home’ exhibition view. 2024.
Photo by Jan-Kees Steenman. Courtesy Het Noordbrabants Museum and the artist.
Photo by Jan-Kees Steenman. Courtesy Het Noordbrabants Museum and the artist.
06/2024 Vienna

Erecting the structure. Credit: Image Courtesy Jon Broome
06/2024 Rotterdam

picture: Frank Hanswijk
06/2024 Wrocław

20 SURVIVAL Art Review, photo by M. Kujda
04/2024 Amsterdam
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Installation view, Marina Abramović, Stedelijk Museum Amsterdam, 2024
Photo: Peter Tijhuis
Photo: Peter Tijhuis
04/2024 Amsterdam
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Installation view Wilhelm Sasnal – Painting as Prop, Stedelijk Museum Amsterda.
Photo: Peter Tijhuis
Photo: Peter Tijhuis
03/2024 Rotterdam

©BOARD
01/2024 Amsterdam

Installation view, Sisters, Saints and Sibyls (2004–2022),
Nan Goldin – This Will Not End Well, Photo: Peter Tijhuis
Nan Goldin – This Will Not End Well, Photo: Peter Tijhuis
10/2023 Rotterdam
cover picture: Maxime Matthys


cover picture: Maxime Matthys
09/2023 Rotterdam
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“Knowing that Gonzalez-Torres was interested in the dissemination of information by way of commercial and readily available production methods, and by extension the rhythm of the printing press of the newspaper we join, "Untitled", with Heman Chong’s work Everything (Wikipedia) (2019). Ebbing and flowing in and out of Shimmer’s building, Chong’s performance piece involves a performer reading from Wikipedia pages following the links and references where they may go. Both the works by Gonzalez-Torres and Chong disperse into the world, an intimate experience of the information flow that encircles the audience and then is carried out by them into the hubbub of daily life.” - Shimmer

“Knowing that Gonzalez-Torres was interested in the dissemination of information by way of commercial and readily available production methods, and by extension the rhythm of the printing press of the newspaper we join, "Untitled", with Heman Chong’s work Everything (Wikipedia) (2019). Ebbing and flowing in and out of Shimmer’s building, Chong’s performance piece involves a performer reading from Wikipedia pages following the links and references where they may go. Both the works by Gonzalez-Torres and Chong disperse into the world, an intimate experience of the information flow that encircles the audience and then is carried out by them into the hubbub of daily life.” - Shimmer
09/2023 - 04/2024 New York
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graphic: Nick Sheeran
07/2023 Warsaw


03-06/2023 Amsterdam
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BOARD
collaboration
01-06/2023 Rotterdam
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©BOARD

©BOARD
12/2022 Rotterdam



pictures: the author
visual communication: Roodkapje
visual communication: Roodkapje
09/2022 Vienna
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picture: Richard Pobaschnig
07/2022 Rotterdam



pictures: @chiaramentestudio
visual communication: PZI Archipelago
visual communication: PZI Archipelago
12/2021 Rotterdam
analogue pictures: Agnes Tatzber



analogue pictures: Agnes Tatzber
visual communication: Shiila Infriccioli
09/2018 Thessaloniki


exhibition picture by: Akademia Sztuki w Szczecinie